The Dark Side of the Moon (Nikon D850 shooting techniques)
That song was playing over the XM radio as we drove our Jeeps out of the Grand Staircase Escalante National Monument in southern Utah. Bill, Terry, Izabela, Keith, and I had camped off a dirt road, at a spot that set us up for star photography later that night.
From our campsite, it was a 2-mile round trip (felt more like 4), unmarked hike across a high desert to Sunset Arch.
About an hour before sunset, we took a GPS location at our tents, then we started the hike to the Arch. I carried 2 bottles of water, 2 power bars, 37 pounds of camera equipment, 2 tripods, and a small REI camping chair. It was 1:30 AM the next morning when we finally got back to the tents.
Shooting Technique for Sunset Arch: Nikon D850, 20mm (foreground focus shift; ISO 64, f/4.5, 0.4 seconds) (star stack; ISO 1250, f/2.8, 13.0 seconds)
8 AM that morning we broke camp and started the 40-mile drive back on a rocky and sandy ‘washboard’ road when the Pink Floyd song Dark Side of the Moon started. That song captured my feelings of the exotic, dark, and dangerous, the uncertainty and expectations of the files that I took that night and the previous nine days.
Sunset Arch was the last shooting location of a trip where we got to experience the 4x4 Jeep life of driving thru deep sand and over large rocks, primitive camping, and a shovel. Over 9 days, we put 1,786 miles on each Jeep, thankfully about 70% of that was over asphalt.
Shooting technique at Mile Post 13: Nikon D850, ISO 64, 24-70mm @ 70mm, f/9.0, 1/125 second, two-shot vertical pan
“That day, for no particular reason, I decided to go for a little run. So I ran to the end of the road. And when I got there, I thought maybe I’d run to the end of town. And when I got there, I thought maybe I’d just run across Greenbow County. And I figured, since I run this far, maybe I’d just run across the great state of Alabama. And that’s what I did. I ran clear across Alabama. For no particular reason, I just kept on going. I ran clear to the ocean. And when I got there, I figured, since I’d gone this far, I might as well turn around, just keep on going. When I got to another ocean, I figured, since I’d gone this far, I might as well just turn back, keep right on going.” – Forrest..."I’m pretty tired… I think I’ll go home now."
Shooting technique for House on Fire: Nikon D850, ISO 64, 14-24mm @ 21mm, f/3.5, (1/50, 1/80, and 1/160 seconds)
(6 shot Focus shift for each shutter speed) x (3 shutter speed brackets for HDR) = 18 images
Processing sequence: Processed each HDR bracket set of 6 images first with HeliconFocus, then processed the resulting 3 files from HeliconFocus with Lightroom Photo Merge HDR. Then processed the resulting Lightroom file with Photoshop.
Sunset Arch, Milepost 13, the House on Fire, are just a few of the highlights from a dozen or so locations photographed. Additional finished images from White Pocket, Monument Valley, and other locations from the Western United States and Canada are posted here: The West